“Not the Olympics” @ Oliver’s Day 3 Martin Speake Trio with Dave Green and Gene Calderazzo.
Do as Sun Ra advises and drag yourself away from the television and check out the scene at Oliver’s in Greenwich.
Tonight’s featured artist is Martin Speake.
Martin is the first person to acknowledge and celebrate his wide range of influences from Bird and Paul Motian to Indian Music (note his collaborations with Indian musicians Dharambir Singh and Sarvar Sabri) but tonight as always, Martin’s music will be both lyrical and highly improvised. It will also be a wonderful opportunity to hear the great bass player Dave Green who has literally played with everybody from including all the great British artists – Michael Garrick, Don Rendell, Stan Tracey, Ian Carr, Phil Seaman, through to Harry Edison, Sonny Rollins and Roland Kirk.
For full listing of the entire season, click here…Tomorrow night Malcolm Earle-Smith Sings…
“Not the Olympics” Special Season at Oliver’s… now up and running
Saturday July 28th is Day 2 of the 2 weeks of gigs at “Not the Olympics” at Oliver’s. A second gig tonight with my own band with Julian Siegel, Chris Batchelor, Gene Calderazzo and Amy Baldwin. The mini-season, coinciding with the London Olympics (am I allowed to say that?) features some great artists in a range of interesting settings including Martin Speake, Mark Lockheart, the guys from Empirical (Tom Farmer, Nat Facey and Shaney Forbes), Pete Hurt, improvising vocalist Anita Wardell, the incredible lines of Geoff Simkins, the “fine chap” that is Malcolm Earle-Smith and an evening of world-jazz with Joe Townsend and Dawson Miller – not to be missed. For full listings please click here…
Hope to see you at one/some of the gigs – Don’t miss tomorrow (Sunday) with Martin Speake, Dave Green and Gene Calderazzo
Special “Olympic Season” of gigs at Oliver’s in Greenwich, more details to follow shortly…
July 27th Simon Purcell Quintet featuring Julian Siegel, Chris Batchelor, Gene Calderazzo and Steve Watts
July 28th Simon Purcell Quintet featuring Julian Siegel, Chris Batchelor, Gene Calderazzo and Steve Watts
July 29th Martin Speake Trio featuring Dave Green and Gene Calderazzo
July 30th Malcolm Earle-Smith Quintet – Monday Night is Jazz Party Night
July 31st Anita Wardell with Simon Purcell trio
Aug 1st Tom Farmer trio with Nathaniel Facey and Shane Forbes
Aug 2nd Simon Purcell’s “Nadatar” with Julian Siegel, Tom Farmer and Shane Forbes
Aug 3rd Mark Lockheart with Simon Purcell Trio
Aug 4th Joe Townsend Band with Dawson Miller
Aug 5th The Music of Lennie Tristano – Pete Hurt, Martin Speake, Callum Gourlay, Jon Scott
Aug 6th Martin Speake and Simon Purcell “Amsterdam After Dark” – CANCELLED DUE TO OLYMPICS EFFECT ON LOCAL BUSINESS
Aug 7th “Fine Chaps” – Geoff Simkins, Malcolm Earle-Smith, Simon Purcell et al – CANCELLED DUE TO OLYMPICS EFFECT ON LOCAL BUSINESS
Aug 8th Tom Farmer Band – GOES AHEAD
Aug 9th Anita Wardell with Julian Siegel and the Simon Purcell Trio – CANCELLED DUE TO OLYMPICS EFFECT ON LOCAL BUSINESS
Aug 10th Martin Speake Band with Liam Noble, Chris Hyson and Corrie Dick – GOES AHEAD Aug 11th Special Jazz Party with special guests… GOES AHEAD
October 15th – Finchley Arts Festival – Simon Purcell Trio (Gene Calderazzo and Steve Watts) plus special guests Anita Wardell and Julian Siegel. A special event, featuring re-workings of standards and multiple combinations of music and voice. Simon used to work regularly with Anita Wardell in the 1990s… click here for the Finchley Arts Festival.
A poet of the music, Paul Desmond was both self-deprecating and deeply insightful. This medley of quotes might tickle and provoke us… “I tried practicing for a few weeks and ended up playing too fast… I have won several prizes as the world’s slowest alto player, as well as a special award in 1961 for quietness”. Regarding his tone:“I honestly don’t know! It has something to do with the fact that I play illegally.” On why he changed his name: “Breitenfeld sounded too Irish.”
More seriously, Paul Desmond challenges students and teachers of the music: “Complexity can be a trap. You can have a ball developing a phrase, inverting it, playing it in different keys and times and all. But it’s really more introspective than communicative. Like a crossword puzzle compared to a poem.”
And most telling… “Writing is like jazz. It can be learned, but it can’t be taught.”
Sadly his perception about the jazz audience appears to remain pretty much spot on…”Our basic audience begins with creaking elderly types of twenty-three and above.”