If Music be the Food of Love, a response to Phil’s Robson’s FaceBook post.

Kate Williams is right in her comments on Phil Robson’s original post, it is definitely a political issue. It is a matter of values, and as artists we are in the “values business”. We assign so much of our energy and intention towards an ideal, a version or subtle representation of life so clearly at odds with the value system of the corporate world and the mass collective narcissistic neurosis of celebrity.

I have thought for many years that as human beings we possess a primal impulse towards creativity, artfulness and spirituality, as much our need for shelter, relationship and sexuality. Indeed, the signs of the collective creative and expressive impulse are ubiquitous, humanity’s need to create constantly revealing itself all around us.

Creativity and artfulness are natural states. When suppressed people become ill. When suppressed for long enough, communities and society becomes ill (read the research). The Spanish philosopher Jose Arguelles wrote: “When a man is deprived of the power of expression, he will express himself in a drive for power.” It is counter to our natural state and emotional health that hoards of artists are not only unknown but under-employed, while the need for more creativity in schools is obvious for all to see (not just in art and music but in the license afforded to creative teaching across the curriculum). And then there is the workplace and popular culture… The crime is that creative talent is as common as sand yet the dominant economic, social and political paradigm would have us believe that it is as scarce as gold. Actually, it is expedient in the post-capitalist world. (American theologian Matthew Fox had contributed insights on the subject during the 1980s.)

Phil’s points about Spotify are straightforward. Free or dirt-cheap listening makes music a “free-gift disposable consumable” that can be discarded in favour of another quick/free fix. Notwithstanding the argument about free access to great music, Music is now commoditised to such an extent and consumed as automatically as junk food, listening habits and purchasing behaviours vulnerable to extensive manipulation the market. I prefer to see quality music in the same way as quality food in that:
• It can take longer to prepare.
• It can require an investment in time and commitment on behalf of both performer and listener.
• It might take longer to digest!
• It can be (generally is) better for you (food for the soul). There is much research about creative activity and improved psychological well-being, reduction in mental illness, improved immune-systems etc.

I admire Phil for taking a stand on these matters and wish that the musical community had the confidence to support and actively promote the discussion. Couldn’t we take a more collective position on behalf of music? The irony is that very few musicians make a lot of money from music in any case, and the argument that free downloads promote the sale of merchandise at large scale or stadium gigs is hardly relevant for improvising musicians. Perhaps we have nothing to lose by reflecting and proposing some alternative practices – together. It won’t work otherwise.

There’s more comment here… www.facebook.com/simon.purcell.313

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Special “Olympic Season” of gigs at Oliver’s in Greenwich, more details to follow shortly…

Olypmic Jazz @ Oliver’s in Greenwich

July 27th Simon Purcell Quintet featuring Julian Siegel, Chris Batchelor, Gene Calderazzo and Steve Watts
July 28th Simon Purcell Quintet featuring Julian Siegel, Chris Batchelor, Gene Calderazzo and Steve Watts
July 29th Martin Speake Trio featuring Dave Green and Gene Calderazzo
July 30th Malcolm Earle-Smith Quintet – Monday Night is Jazz Party Night
July 31st Anita Wardell with Simon Purcell trio
Aug 1st Tom Farmer trio with Nathaniel Facey and Shane Forbes
Aug 2nd Simon Purcell’s “Nadatar” with Julian Siegel, Tom Farmer and Shane Forbes
Aug 3rd Mark Lockheart with Simon Purcell Trio
Aug 4th Joe Townsend Band with Dawson Miller
Aug 5th The Music of Lennie Tristano – Pete Hurt, Martin Speake, Callum Gourlay, Jon Scott
Aug 6th Martin Speake and Simon Purcell “Amsterdam After Dark” – CANCELLED DUE TO OLYMPICS EFFECT ON LOCAL BUSINESS
Aug 7th “Fine Chaps” – Geoff Simkins, Malcolm Earle-Smith, Simon Purcell et al – CANCELLED DUE TO OLYMPICS EFFECT ON LOCAL BUSINESS
Aug 8th Tom Farmer Band GOES AHEAD
Aug 9th Anita Wardell with Julian Siegel and the Simon Purcell Trio – CANCELLED DUE TO OLYMPICS EFFECT ON LOCAL BUSINESS
Aug 10th Martin Speake Band with Liam Noble, Chris Hyson and Corrie Dick – GOES AHEAD
Aug 11th Special Jazz Party with special guests… GOES AHEAD

This lucky person can afford music lessons!

Footballer X has refused a £50,000-a-week salary plus a bonus payment of £500,000.
Footballer Y is reputed to earn £250,000 a week.
The teaching budget for all Arts and Humanities subjects within the University Sector is cut by 100%.
I wonder who practices more, footballers or violinists, goalkeepers or pianists. No contest if England’s recent form is anything to go by!
10 per cent of the UK workforce earned less than £276 a week while in full-time employment (see http://www.statistics.gov.uk/cci/nugget.asp?id=285).

Enough said…