Gordon Beck 16th September 1935 – 6th November 2011
It is desperately sad that so many musicians have passed away in recent times (Tony Levin, Jeff Clyne, Michael Garrick). Pioneers of the post-bop period in British jazz, a time when British musicians forged their own path, forming a sound that is disecernably  “local”, Gordon Beck was a formidable artist and pianist of international stature, appearing on numerous broadcasts and achieving a reputation beyond the UK. Despite his formidable playing and work with Phil Woods, Clark Terry, Dave Holland, John McLaughlin, Gary Burton, Lena Horne, Tubby Hayes, Kenny Wheeler, Alan Holdsworth and many others, typically, he was pretty much ignored amongst many jazz aficionados in the UK and worrying so, amongst younger musicians and sorry to say, students of the music. Click here for a more complete biography.

Gordon, I imagine along with Michael Garrick, John Taylor, Mick Pyne, Pete Leemer and Pat Smythe, was clearly influenced by Bill Evans, indeed he told me himself that they would go to Ronnie’s and try to sit behind the piano to watch Bill’s left hand, because “that was where the action was”. But while Bill Evans was an anglophile and the romanticism, melancholy and timbre of his music seems to resonate with much British jazz from the 1970s and 80s, those musicians drew on it to form a new sound that made a massive impact on own generation – ask Nikki Iles. Whatever British jazz musicians might think or say about American jazz (and I love it), they certainly cherish their “lineage”. We would do well to learn from that.

Gordon was a massive inspiration to me at the time (along with John Taylor, Stan Sulzman, Kenny Baldock and Tony Oxley) instrumental in making me want to become a jazz musician after hearing him along with Tony Oxley, Alan Skidmore and Ron Matthewson on the first night of the Barry Summer School in 1978. I was blown away and can still remember how they played.

I also recall a lesson with him on that first day of the summer school. Tony Oxley and Gordon (the directors of the Barry Summer School) maintained that they were anarchists and began the first day of the course by instructing all eighty of us that they were vehemently opposed to any kind of jazz education at all and that “we don’t want any of you asking us how to play like Bill Evans or McCoy Tyner”. Yet half an hour later Gordon was demonstrating every conceivable approach to jazz piano, playing “Pennies From Heaven” in the styles of Fats Waller, Teddy Wilson, Errol Garner, Oscar Peterson, Bud Powell, Bill Evans, McCoy Tyner, Chick Corea, Keith Jarrett and Cecil Taylor. It was extraordinary and attracted an audience of students and tutors. Gordon was actually also a good teacher, well informed, clear, methodical, generous and funny.

For years I have been shocked and frustrated that 99% of my students are/were completely unaware of Gordon’s music. What a terrible shame. I wish that more folk knew of his incredible playing.

Check out Gordon’s legacy – my favourites are “Seven Steps to Evans“, “Experiments With Pops” and “Gyroscope“.

I regret that I didn’t hear him more often or keep in touch. I feel immense sadness and gratitude.

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Postscript: Interestingly, Martin Speake is currently recording interviews with a number of musicians from this special generation. This will form an invaluable oral history of a defining period in British Jazz. I look forward to hearing them…

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The great British bass player Jeff Clyne passed away on November 18th at the age of 72. A key figure in British jazz for over 40 years (appearing on recordings such as Stan Tracey’s Under Milk Wood, Tubby Hayes’100% Proof and albums by Ian Carr’s Nucleus) Jeff was much loved for his kindness and gentle humour.

Jeff Clyne 1937-2009

Forever open to all things, Jeff could be heard in the broadest range of musical settings, from Blossom Dearie, through Ronnie Scott to the free-form and experimental music of Trevor Watts, as well as his own band, Turning Point. Jeff Clyne was also active in jazz education in the UK pretty much from the beginning, co-directing the Wavendon Summer School as well as being professor of jazz double-bass at the Royal Academy of Music and Guildhall School of Music and Drama.

On a personal note, I am very saddened to hear of Jeff’s passing. Besides being one of the great British bass players, he was an immensely kind man without a bad word to say about anyone. He was also present at the worst (best) case of giggles in a teaching situation I have ever experienced, lasting several hours and into the next day! I owe him masses and consider myself very fortunate indeed to have known him.

You can read or contribute tributes at Jeff Clyne Remembered on FACEBOOK – click here.