Gordon Beck 16th September 1935 – 6th November 2011
It is desperately sad that so many musicians have passed away in recent times (Tony Levin, Jeff Clyne, Michael Garrick). Pioneers of the post-bop period in British jazz, a time when British musicians forged their own path, forming a sound that is disecernably  “local”, Gordon Beck was a formidable artist and pianist of international stature, appearing on numerous broadcasts and achieving a reputation beyond the UK. Despite his formidable playing and work with Phil Woods, Clark Terry, Dave Holland, John McLaughlin, Gary Burton, Lena Horne, Tubby Hayes, Kenny Wheeler, Alan Holdsworth and many others, typically, he was pretty much ignored amongst many jazz aficionados in the UK and worrying so, amongst younger musicians and sorry to say, students of the music. Click here for a more complete biography.

Gordon, I imagine along with Michael Garrick, John Taylor, Mick Pyne, Pete Leemer and Pat Smythe, was clearly influenced by Bill Evans, indeed he told me himself that they would go to Ronnie’s and try to sit behind the piano to watch Bill’s left hand, because “that was where the action was”. But while Bill Evans was an anglophile and the romanticism, melancholy and timbre of his music seems to resonate with much British jazz from the 1970s and 80s, those musicians drew on it to form a new sound that made a massive impact on own generation – ask Nikki Iles. Whatever British jazz musicians might think or say about American jazz (and I love it), they certainly cherish their “lineage”. We would do well to learn from that.

Gordon was a massive inspiration to me at the time (along with John Taylor, Stan Sulzman, Kenny Baldock and Tony Oxley) instrumental in making me want to become a jazz musician after hearing him along with Tony Oxley, Alan Skidmore and Ron Matthewson on the first night of the Barry Summer School in 1978. I was blown away and can still remember how they played.

I also recall a lesson with him on that first day of the summer school. Tony Oxley and Gordon (the directors of the Barry Summer School) maintained that they were anarchists and began the first day of the course by instructing all eighty of us that they were vehemently opposed to any kind of jazz education at all and that “we don’t want any of you asking us how to play like Bill Evans or McCoy Tyner”. Yet half an hour later Gordon was demonstrating every conceivable approach to jazz piano, playing “Pennies From Heaven” in the styles of Fats Waller, Teddy Wilson, Errol Garner, Oscar Peterson, Bud Powell, Bill Evans, McCoy Tyner, Chick Corea, Keith Jarrett and Cecil Taylor. It was extraordinary and attracted an audience of students and tutors. Gordon was actually also a good teacher, well informed, clear, methodical, generous and funny.

For years I have been shocked and frustrated that 99% of my students are/were completely unaware of Gordon’s music. What a terrible shame. I wish that more folk knew of his incredible playing.

Check out Gordon’s legacy – my favourites are “Seven Steps to Evans“, “Experiments With Pops” and “Gyroscope“.

I regret that I didn’t hear him more often or keep in touch. I feel immense sadness and gratitude.


Postscript: Interestingly, Martin Speake is currently recording interviews with a number of musicians from this special generation. This will form an invaluable oral history of a defining period in British Jazz. I look forward to hearing them…

All-star British line up from the late 1960s

The sad passing of Jeff Clyne, Peter King, John Dankworth and recently, Ken Baldock represents a distancing of the eras of jazz in Britain. It is worth considering the achievements of the pioneering jazz musicians in the post-war years, establishing bebop first-hand, producing several generations of formidable artists who, petty international jealousies aside, could hold their own anywhere in the world, and who ultimately bequeathed a recognisable sense of “British Jazz”.

The incredible richness of jazz talent to be heard throughout the UK today would have taken longer to establish itself if not for John Dankworth, Kenny Graham, Phil Seaman, Tubby Hayes, Ronnie Scott, Stan Tracey et al, followed by the developments of Joe Harriot, Chris McGregor, Michael Garrick, John Surman, Tony Coe, Gordon Beck, John Taylor, Kenny Wheeler, Bobby Wellins, Tony Oxley, Evan Parker and Derek Bailey – there are many more. Others will also point to the achievements of the Revivalists such as Ken Colyer and George Webb, while the music of Miles Davis music drew upon major contributions from Victor Feldman, Dave Holland and John McLaughlin.

You can start to find out more by investigating some of these links.
Gordon Beck and Tony Oxley (Taunton 1991) – click here.
Gordon Beck (on French television with Phil Woods in 1969) – click here.
Gordon Beck (more with Phil Woods) – click here.
Gordon Beck (even more with Phil Woods) – click here.
British Modern Jazz – from the 1940s to mid 1960s – click here.
Jazz Britannia (BBC TV) – click here.
Ronnie Scott and Victor Feldman (BBC Jazz 625 recorded in1964) – click here.
John Surman in Bergamo (Italy) in 2002 with John Taylor, John Marshall and Chris Laurence – click here.
Kenny Wheeler (BBC Documentary 1977) – click here for part 1 and part 2.
Kenny Wheeler, Stan Sulzman, Gordon Beck, Tony Oxley, Dieter Ilg –  click here.